CYANOMETER: MONUMENT TO THE BLUENESS OF THE SKY
   

MARTIN BRICELJ BARAGA
installation in public space
ul. Joliot–Curie 12
from May 17, 2017
as part of the Biennale WRO 2017 DRAFT SYSTEMS

fot. Mirek Koch

fot. Mirek Koch

fot. Mirek Koch

fot. Mirek Koch

fot. Mirek Koch

fot. Mirek Koch

CYANOMETER: MONUMENT TO THE BLUENESS OF THE SKY
   

MARTIN BRICELJ BARAGA
installation in public space
ul. Joliot–Curie 12
from May 17, 2017
as part of the Biennale WRO 2017 DRAFT SYSTEMS

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The “Cyanometer” is a monument to the blueness of the sky, inspired by the original cyanometer invented by Horace-Bénédict de Saussure. His cyanometer has a blue color wheel shape, gently directing our gaze back to the sky. Bataga’s Cyanometer is both a monument and software that periodically collects images of the sky. The monolith gathers data about the blueness of the sky and the quality of air and visualises them, thus becoming an instrument that raises awareness of the quality of one of the crucial elements of life. Together with air quality data, the Cyanometer website is creating a special kind of online archive that is measuring and documenting the changes to our environment.

The “Cyanometer” is a new “nonument” from the nonument series. Nonuments are a series of Baraga’s futuristic, sci-fi and utopian installations and objects in public spaces. The first Cyanometer stands at Slovenska road, which is the central road in Ljubljana – the Green capital of Europe.

The installation is a part of the WRO Biennale 2017 DRAFT SYSTEMS and will be presented for the whole year till May 2018. Baraga is the laureate of The Critics and Editors of Art Magazines Award for this installation.

More information: HERE

 

Martin Bricelj Baraga (SI), artist and curator. His interactive works and audiovisual performances explore the relation between man and machine, social aspects of contemporary popular culture, future monumentalism and political dimensions of mediated realities of today. His works are usually large-scale installations in public spaces and unusual architectural contexts. He often uses light and sound as means for creating an atmosphere that challenges our perceptions. His works are questioning symbols and myths as a series of time and space-based experiments. He has collaborated with acclaimed sound artists, such as Olaf Bender, Plaid, Vector Lovers, etc. He has exhibited in many galleries and spaces worldwide, among others at ICA in London, Sonar in Barcelona, Columbia University in New York, FACT Liverpool, Kinetica ArtFair, Centro cultural Recoleta in Buenos Aires, Kunsthaus Graz, Kaapelithas in Helsinki, Museums Quartier in Vienna, GLOW in Eindhoven. His works have been reviewed and published by the Wired, boingboing.net, Pecha Kucha, the New York Art magazine, Harper Collins, El Pais, Actar, Mladina and others.

One of his latest projects, the “DarkStar”, has won the GLOWNEXT Festival commission and was exhibited in Eindhoven with over 400.000 visitors. Another of his projects, the “Everlandia”, was one of the most visited exhibitions at the ICA London and was listed among the top five events nationwide in the “UK Times”. Baraga is the director of MoTA – Museum of Transitory Art and founder of SONICA Festival in Ljubljana.

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