Kat Austen’s – this years’ EMAP/EMARE porgramme WRO Art Centers’ resident – Stranger to the Trees is a new media project exploring the complementary coexistence of microplastics and trees as carbon sinks. How do trees and microplastics coexist in forests, capturing carbon in the time of the climate crisis?
Stranger to the Trees’ two channels of video orient around a musical composition combining traditional instruments, hacked instruments and field recordings. One video, an analogue silhouette animation mixed with live-action video, explores the macro perspective of this coexistence. The other, incorporating results from a scientific experiment into the effect of microplastics on birch trees, explores the micro perspective. Together, they query the response of forest ecosystems to the ubiquitous and irrevocable dispersal of microplastics around the Earth.
Through a co-operation with innovative online gallery post-gallery.online curated by Kelli Gedvil and Kristen Rästas, the release of Stranger to the Trees is reconfigured, hybridised like the trees themselves, to allow the meaning and affordance of the two channels of video to be conveyed through online media fit for pandemic times.